A rap at this moment sounded on the door of the cosy apartment where Phileas Fogg was seated, and James Forster, the dismissed servant, appeared.

“The new servant,” said he.

A young man of thirty advanced and bowed.

“You are a Frenchman, I believe,” asked Phileas Fogg, “and your name is John?”

“Jean, if monsieur pleases,” replied the newcomer, “Jean Passepartout, a surname which has clung to me because I have a natural aptness for going out of one business into another. I believe I’m honest, monsieur, but, to be outspoken, I’ve had several trades. I’ve been an itinerant singer, a circus-rider, when I used to vault like Leotard, and dance on a rope like Blondin. Then I got to be a professor of gymnastics, so as to make better use of my talents; and then I was a sergeant fireman at Paris, and assisted at many a big fire. But I quitted France five years ago, and, wishing to taste the sweets of domestic life, took service as a valet here in England. Finding myself out of place, and hearing that Monsieur Phileas Fogg was the most exact and settled gentleman in the United Kingdom, I have come to monsieur in the hope of living with him a tranquil life, and forgetting even the name of Passepartout.”

“Passepartout suits me,” responded Mr. Fogg. “You are well recommended to me; I hear a good report of you. You know my conditions?”

“Yes, monsieur.”

“Good! What time is it?”

“Twenty-two minutes after eleven,” returned Passepartout, drawing an enormous silver watch from the depths of his pocket.

“You are too slow,” said Mr. Fogg.

“Pardon me, monsieur, it is is impossible—”

“You are four minutes too slow. No matter; it’s enough to mention the error. Now from this moment, twenty-nine minutes after eleven, a.m., this Wednesday, 2nd October, you are in my service.”

Phileas Fogg got up, took his hat in his left hand, put it on his head with an automatic motion, and went off without a word.

Passepartout heard the street door shut once; it was his new master going out. He heard it shut again; it was his predecessor, James Forster, departing in his turn. Passepartout remained alone in the house in Saville Row.

“Faith,” muttered Passepartout, somewhat flurried, “I’ve seen people at Madame Tussaud’s as lively as my new master!”

Madame Tussaud’s “people,” let it be said, are of wax, and are much visited in London; speech is all that is wanting to make them human.

During his brief interview with Mr. Fogg, Passepartout had been carefully observing him. He appeared to be a man about forty years of age, with fine, handsome features, and a tall, well-shaped figure; his hair and whiskers were light, his forehead compact and unwrinkled, his face rather pale, his teeth magnificent. His countenance possessed in the highest degree what physiognomists call “repose in action,” a quality of those who act rather than talk. Calm and phlegmatic, with a clear eye, Mr. Fogg seemed a perfect type of that English composure which Angelica Kauffmann has so skilfully represented on canvas. Seen in the various phases of his daily life, he gave the idea of being perfectly well-balanced, as exactly regulated as a Leroy chronometer. Phileas Fogg was, indeed, exactitude personified, and this was betrayed even in the expression of his very hands and feet; for in men, as well as in animals, the limbs themselves are expressive of the passions.

That for six thousand years—and no one knows how many millions of ages before—the great whales should have been spouting all over the sea, and sprinkling and mistifying the gardens of the deep, as with so many sprinkling or mistifying pots; and that for some centuries back, thousands of hunters should have been close by the fountain of the whale, watching these sprinklings and spoutings—that all this should be, and yet, that down to this blessed minute (fifteen and a quarter minutes past one o’clock P.M. of this sixteenth day of December, A.D. 1851), it should still remain a problem, whether these spoutings are, after all, really water, or nothing but vapor—this is surely a noteworthy thing.

Let us, then, look at this matter, along with some interesting items contingent. Every one knows that by the peculiar cunning of their gills, the finny tribes in general breathe the air which at all times is combined with the element in which they swim; hence, a herring or a cod might live a century, and never once raise its head above the surface. But owing to his marked internal structure which gives him regular lungs, like a human being’s, the whale can only live by inhaling the disengaged air in the open atmosphere. Wherefore the necessity for his periodical visits to the upper world. But he cannot in any degree breathe through his mouth, for, in his ordinary attitude, the Sperm Whale’s mouth is buried at least eight feet beneath the surface; and what is still more, his windpipe has no connexion with his mouth. No, he breathes through his spiracle alone; and this is on the top of his head.

If I say, that in any creature breathing is only a function indispensable to vitality, inasmuch as it withdraws from the air a certain element, which being subsequently brought into contact with the blood imparts to the blood its vivifying principle, I do not think I shall err; though I may possibly use some superfluous scientific words. Assume it, and it follows that if all the blood in a man could be aerated with one breath, he might then seal up his nostrils and not fetch another for a considerable time. That is to say, he would then live without breathing. Anomalous as it may seem, this is precisely the case with the whale, who systematically lives, by intervals, his full hour and more (when at the bottom) without drawing a single breath, or so much as in any way inhaling a particle of air; for, remember, he has no gills. How is this? Between his ribs and on each side of his spine he is supplied with a remarkable involved Cretan labyrinth of vermicelli-like vessels, which vessels, when he quits the surface, are completely distended with oxygenated blood. So that for an hour or more, a thousand fathoms in the sea, he carries a surplus stock of vitality in him, just as the camel crossing the waterless desert carries a surplus supply of drink for future use in its four supplementary stomachs. The anatomical fact of this labyrinth is indisputable; and that the supposition founded upon it is reasonable and true, seems the more cogent to me, when I consider the otherwise inexplicable obstinacy of that leviathan in having his spoutings out, as the fishermen phrase it. This is what I mean. If unmolested, upon rising to the surface, the Sperm Whale will continue there for a period of time exactly uniform with all his other unmolested risings. Say he stays eleven minutes, and jets seventy times, that is, respires seventy breaths; then whenever he rises again, he will be sure to have his seventy breaths over again, to a minute. Now, if after he fetches a few breaths you alarm him, so that he sounds, he will be always dodging up again to make good his regular allowance of air. And not till those seventy breaths are told, will he finally go down to stay out his full term below. Remark, however, that in different individuals these rates are different; but in any one they are alike. Now, why should the whale thus insist upon having his spoutings out, unless it be to replenish his reservoir of air, ere descending for good? How obvious it is too, that this necessity for the whale’s rising exposes him to all the fatal hazards of the chase. And not by hook or by net could this vast leviathan be caught, when sailing a thousand fathoms beneath the sunlight. Not so much thy skill, then, O hunter, as the great necessities that strike the victory to thee!